Tempest and veteran producers Rick Rubin and Dan Carey knot simple melodic threads into long, breathing motion. Overall The Book Of Traps And Lessons is best with a healthy dose of thoughtfulness and nuance, and while it falters on the occasions when these are disregarded, this album is another example of why Tempest’s spoken-word works now routinely amplify well beyond her poetic beginnings. Sent from and sold by Global_Deals. This suits her emotional transparency, but makes for uncomfortable listening. Read and write album reviews for The Book of Traps and Lessons - Kae Tempest on AllMusic With a … papapownall. REVIEW: Kate Tempest – The Book of Traps and Lessons All of our human desires, weaknesses and responses to pleasure, pain, and the pressures from the outside world mean that sometimes everything gets too much, argues Kate Tempest on her third album. Kate Tempest The Book of Traps and Lessons (Fiction) Buy it from Insound. She really does sound like a definitive voice for the past decade of austerity. Kate Tempest paints her subjects with the poise and grace of a renaissance artist, while exposing the truths that lay far beneath the surface. By the time, six songs in, Too Late turns out to be entirely spoken word, the absence of any backing barely registers. But as the slow-stuttering music amasses, Tempest's voice burns brighter and wilder, until she reaches a breaking point. — Buy: Kate Tempest – The Book of Traps and Lessons TOP 100 REVIEWER. Kate Tempest review, The Book of Traps and Lessons: Poet is still a pessimist on this strangely uninspired album While there are great moments, Tempest’s trembling delivery of … The CD is in a gatefold card cover with the same imagery the LP. Having succeeded in this endeavour, The Book Of Traps and Lessons feels like Tempest at her most vulnerable; just her thoughts, no distractions. "I Trap You" deciphers disorienting ideals of love ("If I am in pieces, is it easier to see? Simultaneously political and personal, The Book of Traps and Lessons was debuted in full last night in London.Forever championing her South London roots, local hero Kate Tempest played a one off show at The Catford Broadway Theatre. "Curl up like a found thing / A dead insect collected / Between the pages of an old book written in a language you / Can't read," she itches, drawing each word closer to the claustrophobic precipice of an ever-warming world, telling an apocalyptic story in half-burned postcard pictures. Review: Kate Tempest – The Book of Traps and Lessons Kate Tempest reinforces her poetic credentials on her fourth album, working with Rick Rubin to pare back accompaniment to a minimum. Kate Tempest's The Book of Traps and Lessons comes out June 14. 'I can’t wait for the weekend / I’m staying in bed', Kate Tempest coughs on Three Sided Coin, barely there at all. Album-opener "Thirsty" exemplifies the physicality of Tempest's approach; "I was heartbroken, vomiting memories," she lurches, reproducing the act of sobbing until you feel like you'll throw up. South London's Kate Tempest has been something of a revelation over this decade. The Book of Traps and Lessons is not up to the level of those. For Tempest it remains in the broad sense humanist. She really does transcend genre and form. While Kate Tempest’s first two albums– 2014’s Everybody Down and 2016’s Let Them Eat Chaos - were each absorbing and impressive enough to be Mercury-nominated, there was a sense that at times their discordant post-dubstep soundscapes obscured the power of her lyrics. The classic clang-clap beat of "Firesmoke" blooms brilliantly as warm guitar vibrates through the percussion, Tempest detailing the radiance of her lover and her love. But reducing this album to a book of poetry discredits the heartrending production and syllabic precision. 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