... Carrie Mae Weems: Three Decades of Photography and Video. Carrie Mae Weems’s Mirror Mirror shows a black woman looking into a mirror where a white woman appears. Gift of the Collectors Committee; and Robert B. Menschel and the Vital Projects Fund. 1 (Jennifer Mills as Marylin Carrie Mae Weems Biography. The Kitchen Table Series: Untitled (Man and Mirror) 1990. Browse upcoming and past auction lots by Carrie Mae Weems. In the series 'Ain't Jokin' (1987–88), a woman asks a magic mirror 'who's the finest of them all?' Carrie Mae Weems. Dimensions. Carrie Mae Weems explores identity through photography and videos she sometimes pairs with texts written in startling vernacular. ); Paper: 50.8 x 50.8 cm (20 x 20 in.) Untitled (Man and mirror), 1990, printed 2003. series Title. The subtitle reads: “Looking into the mirror, the black woman asked, ‘Mirror mirror on the wall, who’s the fairest of them all?’ The mirror says, ‘Snow White, you black bitch, and don’t you forget it!! Since the 1980s, African-American artist Carrie Mae Weems has been using her work to negotiate the ‘black experience’ of discrimination and oppression. View Mirror, Mirror From the Aint Jokin series by Carrie Mae Weems on artnet. (1987); What’s Black on the Inside, Yellow on the Outside and Looks Funny Going Over a Cliff? Medium. Courtesy Jack Shainman Gallery. (1987); What’s a Cross Between … Zoe Leonard (1961), whose work Pin Up Nº. Carrie Mae Weems, “Mirror Mirror,” 1987-88. Credit ... Carrie Mae Weems is one of the most influential artists of our time and certainly one of … Mirror, Mirror is not a criticism of Western patriarchy, but instead implicates all viewers in the perpetuation of viewing the world with “cultural blinders.” Weems calls attention to the subtle, yet powerful ways through which this Credit Line. Part of a set. Ringgold and Betye Saar, the work of Carrie Mae Weems engages in issues concerned with gender, race, and class. image: 50.8 × 50.8 cm (20 × 20 in.) She achieved prominence through her early 1990s photographic project The Kitchen Table Series.Her award-winning photographs, films and videos have been … platinum print. Accession Number. Carrie Mae Weems, Mirror Mirror, from the series “Ain’t Jokin’,” 1987-1988, gelatin silver print. Carrie Mae Weems' work dealt with what it was to be an African American woman within a white mans world. See all set records. 1953) America, 20th century. Carrie Mae Weems (born April 20, 1953) is considered one of the most important contemporary artists working in text, fabric, audio, digital images and installation video, and is best known for her work in the field of photography. COURTESY THE ARTIST AND JACK SHAINMAN GALLERY, NEW YORK. ©CARRIE MAE WEEMS. Carrie Mae Weems (American, b. only to be told 'Snow White, you black bitch, and don't you forget it!!!' Carrie Mae Weems, works from the series Ain’t Jokin’, 1985-86.Gelatin silver prints and texts, 7 parts, 16” x 20” each. Within 'Mirror, Mirror' Weems deals with the ideals of beauty and the prejudices that African American women deal with when sex-symbols are predominantly white. Afro-American artist Carrie Mae Weems (1953), who, in her photo titled Mirror, Mirror, from 1986, refers to the fairytale of Snow White and the Seven Dwarves to point out the differences between women, hierarchical differences based on racial discrimination. Kitchen Table Series. Not on View. Mirror, Mirror bluntly addresses the racism anchored in social narratives which we pass on unquestioned to future generations – in ‘innocent’ fairy tales, for example. Image: 38.1 x 38.1 cm (15 x 15 in. Read More Platinum print. Mirror Mirrored: A Special Visual Edition of Grimms’ Tales. !’” Individual titles of works include: What did Lincoln Say After a Drinking Bout? Do n't you forget it!!! looking into a Mirror where a white woman appears 15 15. 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